ARTISTS INCLUDES
BRENDA AGARD
ZARINA BHIMIJIT
CHILA BURMA
JEANIFER COMRIE
HOVETTE CUMMINGS
“VALENTINA EMENYEON
CAROLE SNAHORO
ELIS4Ð JACKSON
LALITHA JAWAH IARILAL
RITA KEEGAN
CARISTINE LUBODA
SUE McPAALANE
OLUSOLA OYELETE
BETTY VAUTAAN ALCAHARDS
EYIYTE WANSSd
PAULA WIELLTAMS
KEEGAN
ATTA
MIRROR REFLECTING DARKLY
WHY A BLACK SHOW?
Tt da an opportunity for black people
bo exhibit- a challenge to racise,
WHY A WOMAN'S SHOW?
Tt is an opportunify for wonen ta
exhibit- a challenge to sexian,
WHY A BLACK WOMEN'S SHOW?
To exhibit the diversity within the
concept’ black women and challenge
people's, expectations, perpetuated
by @tlereotypes,
WHY THE TITLE "MIRROR REFLECTING DARKLY"?
To exhibit the differing perspectives capressed
through our art and to-challenge the way we
have been encouraged to associate black and white
and it's derivatives with the hegative/marginal, —
This exhibition of black women's art at Brixton
Gallery ig a celebration of our creativity ond
untill such time that we are able to come together
with roal sexual and racial equality, it will be
important to have these points of autonomy to
ageert our visibility im all areas,
j j a ae ee ee ae ee ee ee ee
jotams ta 4 a
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BOY A TINY BAB Lovo “OUD
FOLeiLL, ALLL Hee AYWEITIO“AS.
Aowd WA GALT AYARITION ‘S Sve VAs
Wane:
» SLICE OF LIFE is o eolieborotion brterten mix young Meck sien = one rites
pnd five performers.
& S8L708 @F Lire
a
It's a ploy deviend fren workahep inprovisetion thet comoince & Risture of
ARTE, Songs aad pec which depict images that Black wai, (gee Guring their
pate Lives. = sono they have confronted in thear own Life experiences, and
pom: the issues thay quai exemine and den! with in ardar te curvive...
“Tirgt you hear abeut something, than you reclise it's happening fe-you' so
“Come tio it maken me Mod. Ko eng eaye o word. Oolng om for fer too Long-
[e's cline now to be hoard. 2t's tise sow to be hoard
Ao ¥
E AWD AY -B!
In A EAIELE ATLL WITH "A SLICE OF LiFE
BE ND MY UM depicts the lives of @ grows of teenage girle' reletionsoipe
tth thede mothers, their experiences at echool, wlth their boyfriands and
ceinl Life, aod how their notre meoct co their probleme as young SoRar
growing up in South Feat Lenden in the 133ds..
I am Christine from Ugamia, and a mother of five boys.
My interest in designing and pattern cutting is two fold,
One, for the pleasure of designing, but more deapear was
the need to teach women in Bwalula, I00 miles from Kampala,
Hll in similar villages like this in Uganda where me and my
hustand a Doctor are involved in Community Self-help projects.
CHRISTINE LOUBGGA,
| «THE ARTS TODAYe |
WO VIOLEWCE) = De
: ar LIFE! Pac}
Ex 7 =]
& pa
— WE NAVE COME Too FAR ety oe
> ‘8%
ra we have come too far to turn back now ee
wf Thet custy foad from slavery nas teen well brad w=
‘ The ¢hains and rags aod tales =< well teld, i ae
ALL gondesseves a a
We will never forget that road, ig
1
Bub we ahall newar travel! along Lt again ae
We have com too far. $e
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ms ea ee wy
cae oe a
ail Be oo
22° HARMONY
THEATRE
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CONSTRVCTRD TEXITRES
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My work covers a variety of subjecte.
T use an unlimited jrange of pliable
materials, interlacing them so thai
they react with one| another to berank
a 'FPatric Structure),
PULA *ILLIAES,
ae : a ape) »'
bre 45 1T| her te stra: Ret ec eaarET 5 crt,
Cy Abd. J : >
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bafinen fase, Vio a Va Ae
Wig Mita! # a Cth ae it * th ee af Pris, a
i my er ‘nas bute \ Se | ie
TAesPin,, ee be Cay Ct one
eae ae Feige % WO it
Ode shade at stk "Seti iting oi phi thet
Girt cate Of Mase GLE tes.
_on I Con Oe Rude. a sea
“Sut upal Suan, Not Vat jth Mer Arial al an
qe a)
Joe le insults se cl ay &
‘ Ae SD Ware to ang, log GC PetRiae ha
Cen ee Ge luck ok achiq IF Ke lites te Chie
un tr 4 Sin 4 is ther, a Muy
CMa he ig Mw PHA i KiG ke is Vid all le
Ma, Guill © just tingly, re
Cerberg. rats eS ¢ A Commamncgtecr ae Thy
G, devia 4% precke Iya we. 3 We OG Hag F
ub ivy Hy Wis aly. G4 he tlw PR
dz OtAas WPe5e
hy nay Th, aes Bears 4
Aa 4 at Maphack. :
Woks e Uiwae of Wh, patil a WiLine th, a
4g Guuttutt Ch ac puts a, ne bs ry Au, ar
| bncres, The ora
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( ae otk a Fs , Loon tae, eet - anne j
ey Me or th (skid ta Gtizy,
o WAle ‘ee f . oS eile 6 blind Mater <y
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Ley cack, ane ex ik, mT
fe i st Sah tus “ol tare
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brat WL log sn A shin LE Up (ny
Unley, 4 be Sure That Hat ys + Sayt
ower wv Meee id an Qheits,
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PORTRAIT OF OUR ‘TILE.
Being « black woman of Africoen decent, I feel oy strangnts must she
Oy work overall,
To am strugeling all the ties to make sense of the madness and the f
living in thio apace, and with notions of the struggles of dfrican
OVER s
I @xist on the love I have for my Mother, my Father, my blood Sista
whom J consider to be strong black women and men.
isa writer I exist, a6 4 Dramxtist I exiat, as a Fhotographer J «2
Studont of learning I exist as a whole.
HRENDA-PATRICIA AGARD.
om ee ee
NOVETTE CUMMINGS
I GO TO THE UNIVERSITY OF LONDON
GOLDSHITHS COLLEGE, WHERE I AM
STUDYING EMBROIDERY/TEXTILES ON A
3 YEAR BA (HONS) DEGREE COURSE.
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CHILA apn J a wan <4
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» BLOODY CAG Z
Y Phote- Pali ig
y UPRISINGS Wy. 4
Ft 1g Ti KES ,
i Ce Ke ack ~
CAROLE ENAHORO
wy KARE |i [LH HIPER COMBIE.
THoLARD WHERE 4 ATTEHEEO THE
I WAS fcnN | «EF LEEES.
)ATOB KEAMTR SOLLESE OF anT AND COMPLETLO THERE ‘GE
EQuadlL.
WEAR ToUsoATION
xT PRESENT ! aw oA oBECOHD ¥EAR STUDENT AT
ETUDTIHG on THE THREE TEAR a. 4.
eoLDEMITHE COLLEG?
CourRSE IF FIRE ART.
jpHors. | DEGREE
VAUGHAR - RICHARDS
BETTY
SPECEAL THANKS TH
ac ee eee ee See
TERE BOLLEN
ANDREW HURMAB
BRIXTOM ARTS COLLECTIVE
WOMENS ADRK
MARTINA AHTILLE
MARJJAIE WILLIAMS
TRACY EMENYEON
LILLIAN EMENYEONU
ARTHUR VAUGHAN RICHARDS
PHILIP
JAN SZALUO